{"id":14877,"date":"2021-10-18T11:26:37","date_gmt":"2021-10-18T09:26:37","guid":{"rendered":"https:\/\/operacarlofelicegenova.it\/chorus\/"},"modified":"2026-07-10T14:55:37","modified_gmt":"2026-07-10T12:55:37","slug":"chorus","status":"publish","type":"page","link":"https:\/\/operacarlofelicegenova.it\/en\/chorus\/","title":{"rendered":"Chorus"},"content":{"rendered":"\t\t
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Chorus<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The Choir of the Teatro Carlo Felice in Genoa was founded in the year of the Theatre’s inauguration, 1828; over the course of 170 years, the ensemble has gained considerable prominence on the national scene.<\/p>\n

In addition to performing the operatic repertoire, from Baroque to the present day, which is intrinsic to the Theatre’s opera activity, the Teatro Carlo Felice Choir has dedicated itself to exploring and performing medieval and Renaissance polyphonic forms, Baroque and Classical choral repertoire, great Classical, Romantic and late-Romantic symphonic-choral compositions, up to the multifaceted musical expressions of the twentieth century.<\/p>\n

The artistic experience of the vocal ensemble has developed with the fundamental contribution of prestigious masters who, since its establishment, have been gradually and constantly refining its qualitative features.<\/p>\n

In particular: Lido Nistri, Leone Magiera, Bruno Pizzi, Tullio Boni, Adolfo Fanfani, Ferruccio Lozer, Dante Ghersi, Marco Faelli, Gianfranco Cosmi, Fulvio Angius, Fulvio Fogliazza; and more recently: Ciro Visco, Giovanni Andreoli, Lorenzo Fratini, Marco Balderi, Pablo Assante and Franco Sebastiani. <\/span><\/p>\n

Also, it\u2019s worth remembering the significant collaborations with the great conductors: Mstislav Rostropovi\u010d, Giannandrea Gavazzeni, Spiros Argiris, Peter Maag, Gary Bertini, Antonio Pappano, Yuri Ahronovitch, Christian Thielemann, Daniel Oren, Bruno Bartoletti, Rafael Fr\u00fchbeck de Burgos, Nello Santi, Lorin Maazel, Bruno Campanella, Nicola Luisotti, Donato Renzetti, Gianluigi Gelmetti, Michel Plasson and Fabio Luisi.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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FIRST SOPRANOS<\/strong>Barbara BargnesiIrene FantozziMariasole MaininiPaola MolfinoSofia PezziElisa PorzioEleonora RonconiFederica SalviLucia Scilipoti

SECOND SOPRANOS<\/strong>Serena AlleviValeria CocinoPaola ColucciaElisa FolinoValeria SaladinoEva Troise

MEZZO-SOPRANOS<\/strong>Giulia AmorettiElena FiorettiAlla GorobchenkoValeria GruppiDaniela LavagnaSimona MarcelloMaria Letizia Poltini

CONTRALTOS<\/strong>Daniela AloisiClelia AtzeiMy DanielaRossella Pellegrino<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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FIRST TENORS<\/strong>Alberto AngeleriDomenico CappuccioSalvatore GaiasClaudio IsoardiMatteo MichiMarco PolloneDamiano ProfumoMaurizio RaffaAntonio Spataro

SECOND TENORS<\/strong>Gian Marco AvellinoEmanuele BonoPasquale FerraroEmilio Cesar LeonelliAntonio MannarinoRenato ParachinettoGiuliano PetouchoffMassimo Saccoman

BARITONE<\/strong>Matteo ArmaninoAlessio BianchiniRoberto ContiAngelo ParisiLoris PurpuraTiziano Tassi

BASSES<\/strong>Filippo BalestraFrancesco LambertiniGianmaria PatroneMarco PirettaFranco Rios CastroPaolo Tunesi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Choir MasterGiulio Magnanini<\/strong>Choir InspectorIgnazia Campese<\/strong>Update 17 June 2026<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Chorus The Choir of the Teatro Carlo Felice in Genoa was founded in the year of the Theatre’s inauguration, 1828; over the course of 170 years, the ensemble has gained considerable prominence on the national scene. In addition to performing the operatic repertoire, from Baroque to the present day, which is intrinsic to the Theatre’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14877","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/comments?post=14877"}],"version-history":[{"count":6,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877\/revisions"}],"predecessor-version":[{"id":44979,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877\/revisions\/44979"}],"wp:attachment":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/media?parent=14877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}