{"id":14877,"date":"2021-10-18T11:26:37","date_gmt":"2021-10-18T09:26:37","guid":{"rendered":"https:\/\/operacarlofelicegenova.it\/chorus\/"},"modified":"2026-03-18T21:15:15","modified_gmt":"2026-03-18T20:15:15","slug":"chorus","status":"publish","type":"page","link":"https:\/\/operacarlofelicegenova.it\/en\/chorus\/","title":{"rendered":"Chorus"},"content":{"rendered":"\t\t
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Chorus<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The chorus of Opera Carlo Felice was born in 1828, the same year of the inauguration of the theatre. In the following 170 years, the vocal ensemble has acquired considerable relevance at a national level<\/span>.<\/p>\n

In addition to the interpretation of the opera repertoire, from the Baroque to the present day, inherent to the theatre’s operatic activity, the Choir of the Opera Carlo Felice Genoa has dedicated itself to the exploration and performance of medieval and Renaissance polyphonic forms, the Baroque and classical choral repertoire, the great classical, romantic and late romantic symphonic-choral compositions, and the multiform musical expressions of the 20th century Translated with www.DeepL.com\/Translator (free version)<\/span>.<\/span><\/p>\n

The artistic experience of the vocal ensemble has developed with the fundamental contribution of prestigious masters who, since its establishment, have been gradually and constantly refining its qualitative features.
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In particular: Lido Nistri, Leone Magiera, Bruno Pizzi, Tullio Boni, Adolfo Fanfani, Ferruccio Lozer, Dante Ghersi, Marco Faelli, Gianfranco Cosmi, Fulvio Angius, Fulvio Fogliazza; and more recently: Ciro Visco, Giovanni Andreoli, Lorenzo Fratini, Marco Balderi, Pablo Assante and Franco Sebastiani. <\/span><\/p>

Also, it\u2019s worth remembering the significant collaborations with the great conductors: Mstislav Rostropovi\u010d, Giannandrea Gavazzeni, Spiros Argiris, Peter Maag, Gary Bertini, Antonio Pappano, Yuri Ahronovitch, Christian Thielemann, Daniel Oren, Bruno Bartoletti, Rafael Fr\u00fchbeck de Burgos, Nello Santi, Lorin Maazel, Bruno Campanella, Nicola Luisotti, Donato Renzetti, Gianluigi Gelmetti, Michel Plasson and Fabio Luisi.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SOPRANOS<\/strong>
Serena Allevi
Barbara Bargnesi
Valeria Cocino
Paola Coluccia
Irene Fantozzi
Elisa Folino
Mariasole Mainini
Elisa Porzio
Eleonora Ronconi
Lucia Scilipoti
Eva Troise
Sofia Pezzi
Valeria Saladino
Paola Molfino
Federica Salvi

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MEZZOSOPRANOS<\/strong>
Giulia Amoretti
Alla Gorobchenko
Simona Marcello
Maria Letizia Poltini
Anna Venturi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ALTOES<\/strong>
Daniela Aloisi
Clelia Atzei
Rossella Pellegrino
Rossella Puggioni<\/p>\n

TENORS<\/strong>
Alberto Angeleri
Daniele Facci
Salvatore Gaias
Giuseppe Gheri
Claudio Isoardi
Emilio Cesar Leonelli
Antonio Mannarino
Matteo Michi
Renato Parachinetto
Giuliano Petouchoff
Marco Pollone
Damiano Profumo
Maurizio Raffa
Marco Raffo
Massimo Saccoman
Gian Marco Avellino
Pasquale Ferraro

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BARITONS<\/strong>
Matteo Armanino
Alessio Bianchini
Roberto Conti
Loris Purpura
Tiziano Tassi
Angelo Parisi<\/p>\n

BASSES<\/strong>
Filippo Balestra
Francesco Lambertini
Gianmaria Patrone
Marco Piretta
Paolo Tunesi
Franco Rios-Castro<\/p>\n

Chorus Master, Claudio Marino Moretti<\/p>\n

Update January 8, 2026<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Chorus The chorus of Opera Carlo Felice was born in 1828, the same year of the inauguration of the theatre. In the following 170 years, the vocal ensemble has acquired considerable relevance at a national level. In addition to the interpretation of the opera repertoire, from the Baroque to the present day, inherent to the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14877","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/comments?post=14877"}],"version-history":[{"count":3,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877\/revisions"}],"predecessor-version":[{"id":42134,"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/pages\/14877\/revisions\/42134"}],"wp:attachment":[{"href":"https:\/\/operacarlofelicegenova.it\/en\/wp-json\/wp\/v2\/media?parent=14877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}