SA 06/12/2025 Hours 16:00 Buy now or at the Ticket office
WE 10/12/2025 Hours 10:00 Buy now or at the Ticket office
WE 10/12/2025 Hours 11:30 Buy now or at the Ticket office
TH 11/12/2025 Hours 10:00 Buy now or at the Ticket office
TH 11/12/2025 Hours 11:30 Buy now or at the Ticket office
FR 12/12/2025 Hours 10:00 Buy now or at the Ticket office
FR 12/12/2025 Hours 11:30 Buy now or at the Ticket office
SA 13/12/2025 Hours 16:00 Buy now or at the Ticket office
TH 04/12/2025 Hours 11:30 Tickets no longer available
TH 04/12/2025 Hours 10:00 Tickets no longer available
WE 03/12/2025 Hours 11:30 Tickets no longer available
WE 03/12/2025 Hours 10:00 Tickets no longer available
TU 02/12/2025 Hours 11:30 Tickets no longer available
TU 02/12/2025 Hours 10:00 Tickets no longer available
MO 01/12/2025 Hours 11:30 Tickets no longer available
MO 01/12/2025 Hours 10:00 Tickets no longer available
Where:
Teatro Auditorium Eugenio Montale


Duration:
Total duration 50 minutes without interval

Tickets:
Full price: €10
Reduced price: €5, under 18s

The shows on 6 and 13 December are reserved for families with children aged 6 to 10

 

 

Il mio primo Debussy

For the cycle ‘Corpi in musica’, an exploration of the world of childhood and play through two famous compositions by Claude Debussy.

Children’s Corner
Doctor Gradus ad Parnassum
Jimbo’s Lullaby
Serenate for the Doll
The Snow is Dancing
The Little Shepherd
Golliwogg’s Cake-Walk

La boîte à joujoux
Ballet for children in one act and four scenes
(original version 1913)


Choreography, Direction, Set Design and Lighting
Irina Kashkova

Assistant choreographer
Olga Birukova

Costumes
Sartoria Russian Ballet College Inna Parigina

Piano
Dario Bonuccelli (1, 2, 6, 12 e 13)
Valentina Messa (3, 4, 10 e 11)


Balletto Fondazione Formazione Danza e Spettacolo “For Dance” ETS

Logo Fondazione Danza e Spettacolo

The show introduces young audiences to the world and love that Debussy devoted to childhood. It begins with the piano suite Children’s Corner, which he composed inspired by his three-year-old daughter, Emma-Claude, and continues with the ballet La boîté à joujoux (“The Toy Box”), a ballet for children in one act and four scenes, composed in 1913. Here too, Debussy drew inspiration not only from the very popular tradition of puppet ballet, but also from the world of childhood, and so the toys come to life, emerge from the box where they had been stored, and take us on many adventures.

Each of the three protagonists – a doll, a soldier and a Pulcinella – is musically characterised by a theme, and so a waltz, a military march and an ironic, playful melody recur several times. The three are involved in a love triangle that ends with the happy marriage of the doll and the toy soldier, whom we find again years later in the fourth scene, surrounded by their children. In the finale presents, all toys return into the initial box.

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